This essay offers a personal and cultural analysis of Bad Bunny’s Super Bowl halftime show, examining its imagery, music, and political symbolism through a Puerto Rican lens. Moving from a formative experience of linguistic discrimination in Boston to a scene-by-scene reading of the performance, the piece explores Puerto Rican history, colonialism, migration, diaspora life in New York, Hurricane Maria, and the ongoing struggle over land, culture, and identity. Whether or not one enjoys reggaetón or Bad Bunny, the halftime show is framed as a significant moment of Latino visibility and resistance at a time when Spanish speakers and Latino communities in the United States face increased criminalization, harassment, and exclusion.