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Cuenta de respaldo, la buena es @JProl

artist
research fellow
educator
CS background

I am an artist, decelerationist system administrator, curator, etcher, and a researcher. I am a contributor to journals, FLOSS (Free/Libre Open Source Software), printmaking workshops, and community-oriented initiatives and infrastructures, and exhibits my works locally and globally. I co-organise the artist-run platform cooperative called @ursuppe as well as a bunch of other platforms.

toots are deleted every 2nd week

Recovering (w)academic, ex-artist, untethered researcher/editor/writer (EU research network grants esp), co-founder/booster for Open Syllabus (opensyllabus.org), nettime co-mod for 25 yrs. I was "working at the intersection of" back when that sounded like a red-light districts not a venn diagram. Un/timely nanorants and against-the-grain comments on #dataviz, debris from writing a cultural history of WTF people think “information” looks like. I bounce between the Deep North and the Deep South.

They stole our future. Now we're stealing it back.

love #textiles (embroidery and applique) and #linocut. would love to combine this with data visualisation & processing techniques - still thinking about how!

urban scavenger & design researcher

bad to the bone riff

second biggest not-thinker on fedded verse (after @jeder )

profile rated PEGI 18 (Drugs, Gambling, In-game Payments, Bad Language)

if you suddenly get a follow request from this profile, DM for previous handle as i probably followed you on there

I'm Clemens Schöll – a media artist / theorist and software engineer that speaks, writes, curates and browses the internet.
(searchable)

Header image: https://neopostmodern.com/posts/his-work-was-exhibited-at-kunsthalle-zurich-among-others

Techno-cynic media arts grump. Accidental cryptographic protocol engineer. Autodidact with learning disabilities.

Emergent Digital Media class
Hito Steyerl https://tldr.nettime.org/@hito and Francis Hunger https://dair-community.social/@databasecultures
Akademie der Bildenden Künste, München

- mostly announcements of class activities
- for inquiries regarding studies please use contact via website
- also carrier-bag.net announcements

#Hamburg #Sociology #Digital #OpenAccess, works @ FU Berlin for GenderOpen, Editor-in-Chief of Open Gender Journal and member of Otherwise Network

An open-access digital media laboratory in Ljubljana, Slovenia. Extensive experiences since 1994.

We are penguins who want to take over the world. https://pen.gg

⁂ | 🧠🫸✨ | 🐧🏴‍☠ #PenguinRebellion
Limited use of Content Warnings | Regularly purging all followers from mastodon.social | Zero tolerance for techbros and "AI" | Posts in English, occasionally other languages (per post language indicator).

Image descriptions: The profile picture shows the chest and head part of a cartoon penguin, drawn in a very minimalistic fashion. The penguin is wearing gl

Recovering physicist, erstwhile bellwether.

Did some stuff at the dawn of blogging and before. Tech writer, software developer, tech marketer, unelected pundit, technology journalist, editor, web designer, developer, hosting provider. Interests in #physics, #cosmology to the #quantum scale; #virology, #epidemiology; #social #justice, #poetry, and #dadjokes. Living in Minnesota on Dakota and Ojibwe land ceded in return for unfulfilled promises.

Posts auto-delete at 2 weeks.

CTO at Tech4Tracing.org
And: Computer vision @ https://vframe.io, Prototypes @ https://harvey.studio, Anti-Face Recognition Research @ https://exposing.ai 
🇺🇸🇪🇺🇩🇪🇺🇦

Past life @adamhrv on X (deleted)

Radical Art Collective, Working on Ecology x Energy x Economics 
> Technological Disobedience & Action Research. 
Editors of "A Bestiary of the Anthropocene" 2020 and "The Pirate Book" 2014 
Language: English, French, Polish, German, Russian

Data Visualization && Generative Design || Critical Data Studies && Digital Humanities || Netpolitics


Lecturer @ BA Data Design + Art HSLU Lucerne for Data Cultures and Technologies || Member of Digitale Gesellschaft && basel.codes